Sources
How the world recorded her in her own lifetime — the thin but real trail she left in English, plus the criticism and collections that prove her standing. Each entry quotes or links the original.
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The Art Journal (London), 1890
A studio-visit profile — the richest contemporary English text on her, describing her Munich studio and Mors Imperator.
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Art and Handicraft in the Woman's Building (1894)
The official survey of the 1893 Chicago World's Fair names her painting 'Elaine' among the leading German women artists.
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Rilke on Preuschen (1896)
Rainer Maria Rilke, aged 20, reviewed her admiringly — 'she paints her magnificent poems.'
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"Modern America" — an interview (1910)
A syndicated 1910 New York interview — her acid, cosmopolitan impressions of America, in her own voice.